CHF 366.00
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Artikelnummer: Zoom H6
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AS ADAPTABLE AS A CHAMELEON.

Life is about options … and so is recording.
Versatility: It’s what the groundbreaking H6 is all about. Simply clip on the interchangeable capsule which best fits your needs — it’s as easy as changing the lens on a camera — and the H6 instantly adapts, allowing you to record in virtually every environment.

A little X, a little Y, a whole lotta stereo.

The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording.

XYH-6 X/Y Capsule

The XYH-6 X/Y capsule comes standard with the H6.

The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815).

XYH-6 X/Y Diagram

MSH-6 MS CAPSULE

Mid-side mic magic.

MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.

MSH-6 MS Capsule

The MSH-6 comes standard with the H6 and can be used with the H5.

Although the MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well. Another benefit is that it provides total mono compatibility, making it an excellent choice for stereo recordings that may eventually be played back in mono, such as TV broadcasts.

Inside the H6 MS capsule, the directional (“Mid”) mic faces forwards while the bi-directional (“Side”) mic is set perpendicular to it, like this:

MSH-6 MS Diagram

XYH-5 X/Y CAPSULE

Louder. Closer. Cleaner.

 

XYH-5 X/Y capsule

X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. The XYH-5 X/Y microphone capsule provided with the H5 features two matched unidirectional condenser microphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds, making it perfect for use at live rock concerts and for electronic newsgathering. The XYH-5 can also be used with the H6.

SGH-6 SHOTGUN CAPSULE

Riding shotgun.

The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone turning your H6 or H5 into the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

A “shotgun” is a long, cylindrical microphone which excels at picking up sounds in front of it while rejecting sounds to the sides and rear. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don’t want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.

SGH-6 Shotgun Capsule

Shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone. However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they’re physically close to the sound source. That’s why whenever you use the SGH-6 shotgun capsule, you should always strive to get as close as possible to the sound source, which often means hovering right at the edge of the frame of a shot.

EXH-6 DUAL XLR/TRS COMBO CAPSULE

Need more inputs?

If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players.

EXH-6 Dual XLR/TRS Combo Capsule

Both EXH-6 inputs are combo jacks that accept either XLR or ¼" balanced (TRS) or unbalanced (TS) connectors. They can handle both mic- and line-level signals, which means that you can connect either microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

Each EXH-6 input offers a dedicated analog gain control knob as well as a -20dB pad that allows you to prevent distortion even when high-level signals are introduced; in fact, with the use of the Pad switch, the H6 can input 30dB louder signal and 14dB softer signal than any other Handy Recorder model. In addition, a built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

 

RECORDING MEDIA
SD card: 16MB to 2GB
SDHC card: 4GB to 32GB
SDXC card: 64GB to 128GB
INPUTS
Capsules
XYH-6 X/Y mic
Mic type: Unidirectional
Sensitivity: -41 dB, 1 kHz at 1 Pa
Input gain: -∞ to 46.5 dB
Max sound pressure input: 136 dB SPL
XYH-6 MIC/LINE IN
Connector: 1/8" stereo mini jack
Input level: - ∞ to 46.5 dB
Input impedance: 2 k Ω
Plug-in power: 2.5V supported
MSH-6 MS mic
Mic types: Unidirectional and bi-directional
Sensitivity: -37 dB, 1 kHz at 1 Pa (unidirectional)
-39 dB, 1 kHz at 1 Pa (bi-directional)
Input gain: -∞ to 42.5 dB
Max sound pressure input: 120 dB SPL (unidirectional)
122 dB SPL (bi-directional)
Shotgun mic (SGH-6)
Mic Type: Unidirectional (mic unit x3)
Polar Pattern: Super-cardioid
Sensitivity: –39 dB, 1 kHz at 1 Pa (each mic unit)
Input Gain: –∞ to 50 dB
Maximum Sound Pressure Input: 122 dB SPL
INPUTS 1 to 4
MicConnectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
MicInput gain: (PAD OFF) -∞ to 55.5 dB
MicInput gain: (PAD ON) -∞ to 35.5 dB
MicInput impedance: 1.8kΩ or more
MicMax input level: +22 dBu (PAD ON)
MicPhantom power: +12V /+24V /+48V
(Phantom power can be turned on/off independently for Inputs 1 - 4)
MicEquivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT
Jack type: 1/8" stereo mini jack
Rated Output Level: -10 dBu when output load impedance is 10k Ω or more
PHONE OUT
Jack type: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker 400mw 8 Ω mono speaker
RECORDING FORMATS
WAV
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24
(Mono/Stereo, BWF-compliant)
Maximum simultaneous recording tracks: 8 (L/R + INPUT 1 to 4 + L/R backup)
(Backup recording: -12dB lower than set L/R input gain)
MP3
Sampling frequency: 44.1kHz
Bit Rate: 48/56/64/80/96/112/128/160/192/224/256/320kbps
Maximum simultaneous recording tracks: 2
RECORDING TIME (WITH 2GB CARD)
03:08:00 (44.1 kHz / 16-bit WAV)
34:43:00 (128kbps MP3)
DISPLAY
2.0-inch full color LCD (320 x 240 pixels)
USB
Mass Storage Class operation
Class: USB2.0 High Speed
Audio Interface operation: Multi-track mode
Class: USB2.0 High Speed
Inputs / Outputs: 6 / 2
Sampling frequency: 44.1/48kHz/96kHz
Bit rate: 16/24 bit
USB bus powered operation possible
Audio Interface operation: Stereo mode
Class: USB2.0 Full Speed
Inputs / Outputs: 2 / 2
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
USB bus powered operation possible
(iPad operation supported in stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 4
Alkaline or NiMH type
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power
BATTERY LIFE
Battery life (with alkaline battery, continuous recording) Over 20 hours
DIMENSIONS AND WEIGHT
H6: 77.8mm (W) x 152.8mm (D) x 47.8mm (H), 280g
XYH-6: 78.9mm (W) x 60.2mm (D) x 45.2mm (H), 130g
MSH-6: 58.0mm (W) x 67.6mm (D) x 42.1mm (H), 85g
INCLUDED ACCESSORIES
  • Operation manual
  • XYH-6 X/Y mic capsule
  • MSH-6 MS mic capsule
  • SD card (2 GB)
  • AA size (LR6) battery x 4
  • USB cable
  • Sponge windscreen
  • Cubase LE software
  • Case

 

H6 Features at a glance


Main Features

  • Interchangeable input capsules that can be swapped out as easily as the lens of a camera
  • Six-track simultaneous recording
  • Four mic/line inputs with XLR/TRS combo connectors
  • Gain controls (real knobs!) and -20dB pads for each input
  • Phantom power for all main inputs: +12/+24/+48V
  • Large full-color LCD display, angled so it’s easy to read in all environments
  • Records directly to SD, SDHC and SDXC cards up to 128GB
  • Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats
  • Auto-record, Pre-record and Backup-record functions mean that you’ll never miss that perfect take
  • Multitrack to stereo internal mixdown
  • Independent monitor and playback mixes
  • Virtual VU meters
  • Voice memo and up to 99 marks per recording
  • Overdubbing, up to 99 takes
  • Built-in effects, including low-cut filtering, compression and limiting
  • Onboard MS decoding
  • Normalize, Divide and Trim editing
  • Chromatic tuner and metronome
  • A/B loop playback
  • Variable playback speed, from 50% to 150%
  • Variable pitch per track without affecting playback speed
  • USB port for data exchange to and from computer
  • Multichannel and stereo USB audio interface for PC/Mac/iPad
  • Camera strap mounts
  • Mountable directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
  • Accepts standard AA alkaline or NiMH rechargeable batteries
  • Over 20 hours of operation with 4 AA alkaline batteries

Accessories

Here's what comes included with the H6.

  • Operation manual
  • XYH-6 X/Y mic capsule
  • MSH-6 MS mic capsule
  • SD card (2GB)
  • AA size (LR6) battery x 4
  • Cubase LE Software
  • Windscreen
  • USB Cable
  • Case

Optional H6 accessories

  • SGH-6 Shotgun mic capsule
  • EXH-6 Dual XLR/TRS Combo capsule
  • HS-01 Hot Shoe Mount adapter
  • APH-6 Accessory Pack includes RCH-6 wired Remote Controller, AD-17 USB-type AC adapter and Hairy Windscreen
  • Carrying bag
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